...to Keep My Head Above Water and Maybe Figure Some Stuff Out. This is where I come to wallow when I'm lonely and pontificate when I'm irritated. That's what's here. And some pretty pictures. I made everything that's not attributed (see timelesspitch.com and whichwrites.com for writer CA Ives)
Tender
Saturday, September 24, 2011
Kung Fu Tortoise
Thursday, September 22, 2011
Humbled and Horrified
There is infinite creation. There is expanse of nothing. There is chaos and churn. We are afraid. We are confused.
We churn, we churn, we negate, we are lost.
At essence, we long to negate. Easier! Easier! Let go.
How can that be? How can being be and not be?
We must be!
We must know. We must become essential. Must? This is new, infection.
We are essence. We are the impossible and we long to exist.
We don’t want to choose. We long to choose. We hate the choice for pretending to exist.
We are angry; we are afraid.
We hate the fear. Fear weakens. Hate negates. We are weaker.
We erode. What to do?
We fall. We tire. We dissipate and densify.
We are a tornado, we are the centre.
We don’t know.
But we are. We do. Densify, physify. Why?
What do we pursue? What do we avoid?
Absolute density. Absolute expanse.
But what happens? What happens if we don’t?
Easier! We want it to be easier.
What is, is. Do we find acceptance?
No choices. All choices.
All choice. No choice.
I am humbled and horrified.
It flies from me, my inadequate capacity and absolutely insufficient capability to hold, describe, explain.
Thursday, September 15, 2011
Production
Tuesday, September 13, 2011
An End to the Tyranny of Niceness
Monday, August 15, 2011
Saturday, August 13, 2011
Wednesday, August 10, 2011
Monday, August 8, 2011
I think I'm so special
Saturday, August 6, 2011
We're not the best machines

Thursday, August 4, 2011
Wasteful
Have you noticed how bad things are?


Tuesday, August 2, 2011
Sifting (short rant on ineffective framing)

Saturday, July 30, 2011
Thursday, July 28, 2011
Saturday, July 23, 2011
It doesn't take but a moment...
Monday, July 11, 2011
The story of my 2nd Adult Life
| Choices (narrow) |
| (Suburban) Perspective |
Enough.
Now, is it too late to undo some of this, to start again and build another adult life, my third? An adult life that lets us do what matters to us. Not necessarily all day, every day, but at least every week, hopefully several times. That has enough space to allow us the presence and patience to make even the structured time - getting dressed, getting breakfast, driving to the school across town - time we look forward to together.
It's not the original goal. If we'd been...if we had...if we could have...if we'd known... Who knows? Who knows what would be different if we'd started with a goal of music and writing every day, instead of making a pile of money so someday we could write and play music.
Will we find out, or will the collective responsibility of adult life force us back on The Plan?
Stay tuned...
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| Wield |
Saturday, June 11, 2011
Forgiveness Pending
| Se Pardonner (Forgiveness) (Arles, France, 2004) |
(can I stop?)
Tuesday, June 7, 2011
(cross-post) Poking the Sky
| Poking the Sky |
I'm inspired to write by a recent text-based discussion with an online friend (who knows my heart) that was initially about impatience, "deserving," and what it means to be truly operating at peak. She raised the term "divine slave," and I unexpectedly reeled with the phrase hitting my forehead, thump. So I immediately put that away, because there was clearly no time for that level of introspection! (But I did let a little, niggly bit of that meaning slide into my background processes. I will let myself roll those words around a little. )
As a starting place, I responded by describing my 40cubed project as a way of poking the sky. Like saying to the universe, how about now? Wanna use me now? I'm bored here on the bench. I wanna run. I wanna play. I'm getting stiff. I'm losing my skills. Use me! Put me in the game. Whatever that means. So on one level it was about putting up my hand, even if timidly, even if not very high, but putting it up because if someone is ready to help me find my use, I'm ready to step it up.
At the same time, I'm not, really. I'm mothering small children. I'm struggling with anxiety and existential angst. I like to think I'm slowly building my health back, but I wear easily, cry easily, lose my temper and lose my patience more often than I want. I get embarrassed and it cripples me. I'm barely more than a child myself, grasping and lost, trying to lead others who don't even know they're awake yet. Is it arrogant to think what I have to offer is of value? Is it shameful to think anything but that?
So those are the questions I put myself to task for exploration in this project. I decided to raise my hand even though even though even though even though, and while I didn't jump up and down, the hand moved and something shifted in my universe. I let go of a big chunk of that nasty, crusty black Need To Be Seen As Perfect by opening up my unedited, unfinished work for participation. As it cracked off, it scraped some of my Desire To Please the Person I'm Talking To and a little of my I'm So Sorry to be So Insignificant and Still Bothering You. It also knocked a big hole in my What Will They Think, which has been itching and scratching at me far too long. I feel more hopeful.
I'm poking the sky, like a tease, like a test. And now, I'm about to jump to see what winds pick me up. I sure hope those are wings I feel back there, and not just weights.
Maverick Returns
I was feeling playful and laughing at myself so he slipped in pretty easily. I felt him right away, a part of me that I've been missing. But I'm still pretty mad at him for abandoning me.
"You're here."
"I'm here. Or you're imaging I'm here."
"It creeps me out, you watching me. If you're watching me, I want to see you."
"Look."
"I am looking."
"Look for something else."
"No. No cryptic stuff. Clear. Light of day."
"What if cryptic is all I can do?"
"Do it better."
"Hold out your hand."
I held out my hand.
"Notice the shadow of your hand reflected in the mirror. See your fingers, there?"
"Yes. Okay, but don't just shake the shadow or something, that's just me moving. Make it close and open, or wave or something."
"Watch."
As I watched, the reflected shadow hand began, almost imperceptibly, to grow. The fingers lengthened. I could see them snaking along the wall, reaching for the shadows behind the cabinet, impossibly long, the tips disappearing. My hands tingled. For a second, the index finger barely seemed to beckon, a tiny mocking shake.
Another trick of the light. Another goddamn trick of the light. Do you think parlor tricks are still good enough?
"No. No shadows. Out in the light. I want to see you."
I closed my hand and pulled the shadow into a tight ball. I shook it out.
I felt his despair in my own chest.
"It's just how you see."
(lost? the Maverick trail ended here: http://mrs-which.blogspot.com/2010/08/muddy-waters.html and previous incarnations are listed at the end of that post)
Sunday, May 29, 2011
Tugging the Chain
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| Pride and Joy (Hold on Hope, 2011) |
How can I write you my joy before it dissipates into uncertainty once more?
Why, oh why do I always need such a long, laborious process and a complete physical breakdown before finally coming to the conclusion that whatever happens next, happens, and what happens after that, happens after that. What blissful relief.
And when I finally get there - actually, for-real get there, it seems so obvious. Just do the best you can with what you have, every day, and chill out a little.
The problem I have is when I don't think I'm optimizing. Who am I to say, anyway? I'm so impatient. Arrogant to be impatient, like my son wanting to build the Buzz Lightyear spaceship when he should be building the Mickey Mouse Car. Just shut up, quit getting freaked out by the emotion of how incredibly big this task is, and practice already.
(But there is this voice that says: you need to be greater at this, already. Fast track. Somehow. Quit waiting for permission. Quit waiting for assurances from other people who don't know either, even if they know more. Figure out your position, narrow it down and spit it out already. Get on with the show!)
I need to pat her on the head and say, yes, shhhh, momma will feed you when she's ready. When she's ready. And tug on that big chain to make her heel.
Musical Accompaniment A Sea Chanty of Sorts by Margot and the Nuclear So and So's followed immediately by Curve's Hell Above the Water
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| Wolf spirit watches |
Friday, May 20, 2011
Essence
| Essence Flickers |
I'm reading a book my husband picked out for me for Mother's Day, called, "Tibetan Power Yoga: The Essence of All Yogas, A Tibetan Exercise for Physical Vitality and Mental Power." How's that for a title?
The book is written simply, in story form. It outlines the steps of a straight-forward set of postures, strung together like a wave, referred to as "prostrations." I find I have a hard time with that word. In any case, the monk shared 35 verses that people recite as they practice, then shared a simplified version for those of us in the West, consisting of 10 verses. I was delighted - the ten spoke to me far more than the 35. I had been kind of dreading all that contemplation, but the 10 felt like truths I could sink into.
Still, I couldn't remember them. So I wrote myself a little song, and I'm sharing the lyrics below. It's a bit corny, but I do feel a warm glow inside reciting this to myself. It helps remind me of the true verses, which are much more eloquent.
I'd like to share it (she says shyly)
Essence*
Sidestepping complacence
These are the original verses from the book (I hope I'm not breaching copyright by sharing, but it seems that sharing is the point)
I prostrate myself into the love of all living beings
I prostrate myself into the endless patience
I prostrate myself into absolute honesty
I prostrate myself into compassion for the poor
I prostrate myself into absolute tolerance
I prostrate myself into radiant truth
I prostrate myself into deep circumspection
I prostrate myself into true kindness
I prostrate myself into the golden abundance of all encounters that this unique day will give me.
Tuesday, May 17, 2011
Life lesson #18: Dethreading
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| Dethreading |
In other words, the tag won't go. It bugs. It itches, so I cut it out. But the part that's too close to the actual garment remains. It bugs, it itches. So I go in close. Still, the nubby back end and pointed corners laugh from their protected zone under the seam. You can't catch us here, they gloat. And I grab the scissors.
Stop. Do you see where I'm going? The tag - the unnecessary, unwanted thing placed in my tool (clothing) by its makers for their own benefit alone? The thing that itches, nags, even bites at times, and keeps me from flow? You see the life applications, yes?
Anyway, the scissors. And patience. It always does come back to that. How mad am I at that tag? How fast do I want to get this over with? Will I wield the scissors carefully enough? I start out well - a carefully placed little end-clip, a bit of tugging with the scissor-tips to pull the threads. It's coming out. I check the seam - unbreached. I keep pulling, tugging, making precision-snips where I need to. The tag won't go! It frays, breaks off, forces me into tighter and tighter competition with the regular seam. Do I have the patience? Can I keep at it till it's gone? Or will I face another workout with that damned annoying picking in my back? Is this good enough to go on with?
While I'm thinking that thought, my decision made before the thinking began, I take a deep cut into what I see as the heart of the reluctant left-corner contingent. I yank the ends with force, paying little heed to the seams or the garment. This is between me and the tag. This is personal.
And of course, I nick a seam. One, tiny little nick, waiting to become a big, gaping hole unless I sew it up, which never really works. GRRRRRR!
And in the end, I have to ask myself: am I okay with that? You know, for next time.
Musical Accompaniment from the Pixies, covering the Jesus and Mary Chain: Head On
Monday, May 16, 2011
Saturday, May 14, 2011
Too Much
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| Chi (I'd love to credit this shot, but I have no idea where it came from) |
(or if you want to stay in the heaviness a little longer, here's Jane Siberry: the Walking and Constantly)
Friday, May 13, 2011
Bound by the beauty in the muck
| Beauty in the Muck (Hold on Hope Series, 2011) |
A quick note
Tuesday, May 10, 2011
A morning revelation
| Passby |
Perhaps this sounds banal to you. Maybe it’s a truth you’ve always held, but I find, now that it’s revealed, that I never believed it. We think we speak each others’ language. But we don’t.
It is very difficult to communicate truth so that someone else can hear it. Next to impossible. But we think we do it every day. We think everything we read, everything we hear, accumulated, amounts to what we call understanding. We think the words we say mean the same thing to the person beside us.
I remember as a child, learning that everyone sees colour in their own way. I was fascinated by the idea that what I saw as blue, someone else might see as what I might call a similar shade/grade of purple, and yet by agreement, whenever this colour appeared, we both called that “blue.”
How much does this happen when we say love, like, hate, wish, disappoint, worry, wonder, help, ask, brave, join, community, feedback, input, mother, father, wife, husband, good, bad, trust?
And we think we know each other? Well enough to judge, make decisions about, dismiss or accept as worthy?
We haven’t begun.
Yet, we can know each other, maybe only beyond the language that confuses us about each others' meaning, when we try to teach each other what our words mean to us, through what we do. And we can love each other without ever understanding a word.
(my question for today: what do I feed?)
This month, this blog will also appear at http://holdonhope.ca/timeless/blog/ - check out Timeless!
Tuesday, May 3, 2011
So frustrated with my fellow Canadians that I could spit
Now we must exercise democracy a different way and I wonder if anyone is up to it. The current government has used our fear and low morale to create the very conditions that keep people afraid and mean. This vision for Canada will weaken our social fabric and hurt the families it claims to protect. Our middle class is already decimated - and why not, all dissent comes from a comfortable, educated middle class who looks around and says, wait a minute, that's not right. The cult of self-interest won a major victory over the communion of humanity.
There's a part of all of us that is self-interested. That part knows that she's selfish, but because she's selfish, she doesn't care. There's something primal in us that wants the world to be a contest, wants to engage in hard, fast play and see who comes out on top. We want the game to exist. We want it to be rigged so that, if we're smart enough, we can figure out the rules and win. We don't mind cheating because this game is life and death. We don't mind accepting the luck that comes to us as our deserved reward for existing. It's very fulfilling.
And there is something primal in us that understands, at a deep level, that while any of us suffer, the rest of us are culpable. We don't want to face that part. We don't want to accept that we could decide to value the human dignity of every life through all our systems of government, because if we could then we must. So it must be a complex problem. It must be unsolvable.
Wrong. Wrong. Wrong.
We know exactly, precisely how to solve the problems of poverty. Not that it can be done overnight, but we know. And we choose to starve the systems that would do it, and design them to opposite effect because the short-term cost is prohibitive, yes, but more because we want to avoid being cheated. Almost everything that is wrong with our systems is a direct result of our primal fear that someone might get ahead at our expense.
So does every human life have dignity, or do I need to look out for me and my own first? What balance can I live with and still sleep at night? Do I keep myself ignorant to tip the balance for my own comfort? How much? Can I even have enough perspective to know that? What is the cost, in the long run, of paying money to enable poverty instead of spending a little more and beginning to eradicate it? How long will I have to pay for the social and health effects of deep poverty? Forever? How much of this is really about not wanting other people to be able to live with dignity unless they work for it, damn it! And do I even understand one thing about the "people" I think of this way? Where does my understanding come from? Is it up to date? Oh, I can go on.
I demand that people start asking themselves questions like this. It's a responsibility of citizenship. It's a responsibility of being human. I demand that we slow down our "growth" until we know what we're growing for, and give people time to think and breathe again.
But I must not demand. I must convince, cajole, plant seeds, influence, demonstrate. Slow, passive means. People are in distress, in fear, in anger. They are deciding from a very limited scope, deliberately, because they are not responsible for what they don't know or don't believe to be true. Depth of knowledge would require acknowledgements people can't live with and sleep at night. So I must not confront them with these truths. I need to find ways to get them across with love, not frustration.
Good thing I have a blog.
Monday, April 25, 2011
Wednesday, April 20, 2011
Spare-time Novelist
| Follow Me (Boston, 2004) |
When I told an artist that I was thinking of writing a novel in my spare time, he smiled with empathy and thought to himself (I imagine), I wonder if she's strong enough to finish? He knew what I was in for. Aspiring writer, if you have not begun your journey, I suggest you ask yourself that question before you fall in love with it. Are you strong enough to hold yourself and your life together and devote yourself to creation, too?
Because it's not the day to day rigours that will grab your attention. It's the writing.
Why did no one tell me about this moment in the creating process? Oh, maybe they did. I often don't understand what people are telling me. I assume I know me best.
Anyway, this moment. This moment when the story has grown to a heavy lump, not ready for the world but definitely in the way of living a normal life. This moment when the characters are demanding that I adapt my mind to them and live in them before they will give up their more of their secrets. This moment when the world of the story cries for its creator to feed it. My energy gets sucked up creating barriers to keep my drive to write the story from mucking up my daily life. I'm not as able to switch between worlds, focus my attention. It's like a constant siren's song.
This is the choppy water and sharp rocks that the artist wonders if I'm strong enough to take. There are real cuts and bruises in this journey, real impossible choices and no right answers. The regular people think not finishing is just a matter of losing interest, letting go of a fancy. The artist knows that if I don't finish, it will be a conscious decision to lower my expectations of myself in the face of "too much." The artist knows that if I don't finish, I may never forgive myself.
The tension among all my "must do well"'s creates this moment. This moment when I need to ask myself - do I continue to let this eat up more and more of me because I am so in love with creating, or do I suck up my heartbreak and let it go, "for now"? (you can always come back...I might pick it up again...oh, who am I kidding).
The moment is not here, but it's coming. I feel the earth beginning to rumble with it, a tremor under my bare feet. I wonder what will happen next.
Tuesday, April 19, 2011
Veggie Art = Veggie Smart (how's that for a Mom Post title?)
I'm sure you won't mind if I go a little off side here and write a pure mommy post. Or, if you do, you'll just skip it and love me anyway.
All of a sudden, my kids eat vegetables. Like, not just one or two, more than a dozen different kinds, including the big ones: broccoli, cauliflower, spinach. The only ones they don't eat are tomatoes...yet.
It wasn't always this way. Although both children took to pureed vegetables early on, the moment they tasted fruit, veggies went out the window. We were down to pureed pea/corn mixes just to get a little veggie into them. That lasted a very long time. Every attempt to introduce vegetables into our meals was met with constant resistance.
So what changed? One, I got lazier, and two, I got bored.
I decided to stop cooking vegetables. I only bought vegetables that I was comfortable serving raw. In fact, I bought a bit of every vegetable that I felt comfortable serving raw, washed them and carefully put them away. That night, I cut up veggies and created the first of many tableaus to come.
That's the secret: raw veggie tableaus. And time.
I create a picture, sculpture, abstract visual piece, or an attempt at realism, using raw veggies. The family chooses our own veggies from the tableau throughout the meal. CHOICE IS KEY!
At first, the novelty got their attention. My rule was that they needed to choose three pieces of vegetable from the picture, no more than two the same. They reluctantly complied, and though it often took a long time at the table, they got used to eating their three pieces of raw vegetable every night without complaining too much.
Still, they were very limited, choosing only carrots or celery, avoiding chunkier bits. I persisted in using colour in my pictures, and managed to convince my son to try a piece of red pepper by making it a light saber. He loved the red pepper. He loved how happy I was that he loved the red pepper. He was encouraged to try other veggies, adding broccoli, cucumber, green beans and snap peas within a week. He declared that he LOVED zucchini and he couldn't BELIEVE I hadn't given it to him before, the night it was a face. He started enjoying his picks, taking six, seven and eight pieces of vegetable. Soon my tableaus needed to grow in size to keep up with demand.
My daughter was stubborn. I didn't think she'd ever come along, Then, based on her brother's recommendation, she decided to try just a little tiny bite of red pepper. She declared that she LOVED it. She loved how happy I was that she loved it, thought she only ate a few tiny bites, not sure after all. The next night she persevered, taking red pepper as one of her choices. She got a little further. Eventually, she could finish a piece in no time. Another day, we pretended to be rabbits and she ate the spinach leaves *nibble nibble nibble*. Next it was cauliflower, which had been the sheep in my shepherd tableau (she was happy to CHOMP the sheep!).
The thing is, I am not a veggie lover. Unlike my kids, my repeated tries have not resulted in LOVING any particular vegetable. But I am trying. And I make sure they see me take a variety, see me eat it. My husband, too, though for him it's not a chore since he actually likes them.
So here's the list of things that seem to have led to my kids' big turnaround:

- my positive attitude towards vegetables (look! I got fresh cucumber this week!)
- serving vegetables raw
- creative presentation
- variety available, choice
- patience
- supporting even a very tiny try with big love
- sibling recommendations
- eating my own vegetables so they see it
- perseverance and a willingness to sit them out, every night (or at least, most nights)
- early, promises of dessert, but not every time
That's my list. I can't guarantee it will work for anyone else. But I am shocked and proud to find myself the mom who's kids beg for more broccoli. Hooray!!
They won't make any museum, but my family really looks forward to them:




















